Jesse and friends on couch

Wow, I published this without a title. If forgetfulness was the goal, I’d probably be quite successful.

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As stated in a previous post, my upcoming memoir and my upcoming collection of song lyrics and poetry is now an upcoming work of the two as one.
So, in this post I’ve included both a song lyric and a poem:

The lyric is full of the gloom of winter. It has a pretty and melancholy little finger picking melody which carries it along I think. I hope readers will be able to appreciate it standing alone here.
Yet it doesn’t entirely stand alone, as the poem is a hopeful one of a spiritual Springtime.

As always, I really appreciate your coming by to read. Please leave a comment if your so inclined.     Namaste, jesse

p.s. The photo is from Seattle in my street musician days, back in the 70′s.

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Winter
(a song lyric)

Every day I have to come back
Every day I have to bring myself back
from this love or some other
from my cold-hearted brother
the untrue friend

We spend these years together
We search for God and then He finds us
Yet now you write and call me never
You fill the empty miles on this crowded bus
with all this nothing to discuss
fair weather, fair weather

Every day I have to wake up
Every day I have to shake myself up
from this love or the last
from all daydreams of the past
      the faithless lover

With the innocence of the intimate
in the spring we planted a child
In expectation of the benefit
we believe that nature has smiled
but your heart is never reconciled
and that will mean the end of it.

Every day I have to come clean
Every day I must admit what I’ve seen
of this love and all the rest
No love can pass the test
     the false God

creates the hope that lasts so long
as we dance by the midnight oil
as we sing the traveler’s song
where in the garden of  love we toil
where we grow like dreams in the fertile soil
until the winter comes along

Every day I have to write a verse
Every day I have to fight the curse
of this lie and every one
for the truth that must begun
      for the only one

Only the hopeless have reason to hope
Only the lost can be found
When finally we come to the end of our rope
at the end of the world there is a sound
something to stand on when feet leave the ground
some light in the darkest… where we grope.

Love Like the Spring
(a poem)

Maybe now Spring will come, now that news of You has preceded
Winter has been left with all the burden
he was given no choice
he could give but little comfort, yet he gave what was needed

We’ve dreamt of you in colors white and true and pure
We’ve imagined You—we didn’t know who You were
when we would go to bed crying from the cold
when we’d wake up, still dying from growing old

Are these the days of old, or is the world yet young?
For all we know, we’re in the dark
just primitives around the fire
all simulation, full of wow and flutter
ending lonely, homeless, reduced to mutter
while the world races along on fuel and spark

When my Master left, I had not yet begun
I stood alone on the hot sand beneath the burning sun
I turned stupidly, confused, and in all directions
not another living soul to understand my objections

When Winter came, it was good to be buried
under the snow so deep, under the frozen grass
until the longing could stir again
But as a seeker I have no skills
I go this way and that; so vulnerable against strong wills
But could my weakness prove to be Your strength at last?

You begged Him to accept that man on the end
who had consumed alcohol and meat, so then
Maybe, for me too, You could put such a request
that could soften His heart—since I can’t pass the test
since I’ve never become strong like the rest
since all my failures, I’ve confessed

Maybe You will appear like the Spring
bringing the sun and the rain in contrast
over the windswept hills of this time
Maybe love will have no choice
but to sing of my pain and loss with Your voice
but to answer with the future and to leave behind the past

 

           

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Stepping out on a limb with this one. Hope you will appreciate it. Had to get it out; it was weighing me down. As always, I am very grateful to my readers. Please comment if you feel so inclined. I’m glad tomatoes are out of season. (:<)>

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Spirituality

It seems like the closer we get to people on the outside
the farther away they are on the inside
I would gather my friends about me
but I can’t bear to feel that lonely

I heard my friend crying out
in the mournful way of the forlorn
and I ran to bring some comfort
but when I arrived, that voice was dying out
and I was greeted with such scorn

Spirituality is a lonesome battle
don’t kid yourself, old son
Spirituality is a bitter pill
don’t look at anyone
Spirituality is a chain gang, man
the worst is yet to come
Spirituality comes as a hypocrite, saying
This is the way it’s done
Spirituality is a blind eye turned
to the dying embers of the sun
Spirituality is an empty park
where the children used to run

Spirituality is a well of impatience
where we drink our leaders’ poison
Spirituality is a pecking order
where the strongest beast is the one enjoying
Spirituality is a parade of masks
in which, all secrets are revealed
Spirituality is a fairy tale
where the hearts of fools are sealed
Spirituality is the sport of the pompous
of the gurus and the pundits
Spirituality is for the hairy apes
My god, I’ve been there, done it

Aren’t you tired of what spirituality is?
of what it has become?
Aren’t you tired of, even religion being more pure
I thought maybe you were
Aren’t you tired of dying in false promise?
of your brother being your enemy?
I’m tired of spirituality, I tell you
I’m a spring wound tight to breaking for spirituality
I’m a lunatic with hands a’shaking

Get me out of this god dammed spirituality asylum
where no one has a clue!

Think all you have to do
is say God, God, God
Well… I’ll hide it from you
If you want them to think you’re crazy
just tell them one thing that’s true

Spirituality is a firm and stern correction
for reaching out to anyone
Spirituality is the distant echo
of a graveyard full of fun
Spirituality is the common thread
of the burned out bitter ones
Spirituality is perpetual movement
toward nothing ever getting done
Spirituality is at the gates of fear
where the pitiful wailing songs are sung

All I wanted was to love and be loved
How did I get involved with this spirituality?

I heard my friend crying out
in a voice so lost and real
and I ran to bring some comfort
but when I arrived, that voice was dying out
as if, after all, it was no big deal

 

 

Dear Readers,      This is a re-post from The BlueHome Blog (the blog I write for bluehomeartworks.com). If you follow that link you can read about BlueHome Artworks, which is—in a nutshell—a consignment outlet in support of the artists and craftspersons in the New Vrindavan, West Virginia community and surrounding area.

I just wanted to share the post here also, as it relates and is important to me personally, as a songwriter, musician, and poet. I hope you’ll enjoy the read, and if you’re local, come out and join us. As always, thanks for visiting my blog, and please leave a comment if so inclined.   Namaste, jesse

The BlueHome Artworks Tea House Project

The following is a blog in two parts:
The first part serves as an announcement of an event that will be held bi-monthly in New Vrindavan.
The second part is Lilasuka’s article (Lilasuka—as the Communications Director for New Vrindavan—writes most of the NV news articles) in the Brijabasi Spirit Blog. I’ve simply re-posted that blog article.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jaya Rishi & Devananda Pundit

Thakur, Sadaruci, and Jason

Dearest Friends and Devotees,

Jesse and Lilasuka Hanson would like to invite you to be part of a new bi-monthly    coffee     Tea House Project, hosted by the   BlueHome  Artworks Gift Shop:  

Essentially, it will be a Songwriters, Musicians, and Poetry Circle. This will be a very unique and informal group, plus the public will be invited to attend—no charge—come and go as you please. New Vrindavan’s own remarkably talented cast of songwriters, musicians, storytellers, and poets will be taking turns, sharing their work and their talents in an informal setting. The event will be easy on the ears—acoustic (meaning without amplification or drums, other than a microphone for the vocalists or readers, when necessary, and the possibility of low volume bass/lead guitar or other instruments requiring electricity, played at low volumes). Hand percussion, such as mrdanga, tabla, djembe, etc. will of course be welcome.

Musicians, don’t worry if you’re not a songwriter. When it’s your turn, play whatever tasteful music you like. Our intention is just that this project is open to creativity, and kirtan will not be the focus, but neither will it be excluded.

The Teahouse Project was inspired by an informal gathering held at the gift shop last Sunday, when Jaya Rishi gathered a few musicians together.

The next event will be held in the music room of the school on Thursday evening, February 14 (happens to be Valentines Day), at 5:30 pm. Subsequent events will be held on the 2nd and 4th Thursdays of each month.

We wanted to get the word out, asap, but we will, of course, send another reminder before the first Tea House event.

Jesse and Anandavidya

Anandavidya, Jesse, and Jaya Rishi

A Delightful Impromptu Song Swapping Circle

  • Posted by
  • January 28, 2013

by Lilasuka dasi

The other day,  after the Sunday feast, some of New Vrindavan’s finest musical talents dropped by the BlueHome Artworks Gift Shop. They went there to share their music and to jam along with each other’s songs.

The night before, Jaya Rishi had approached Jesse, “I’ve invited some musicians to my room in the temple after the Sunday feast to get together for some music. Would you and Lila like to come?”

“Sure, thank you. But, hey, why not have it at Bluehome Artworks Gift Shop, where it might be more roomy and comfortable? And besides, since your room’s in the men’s asrama,  then Lila will actually be able to come.”

And so it was.   Everyone sat in a circle in the Gift Shop, and one at a time, each musician led a song of their choice.  Most of the musicians there sang songs that they themselves had written.

After they’d gone around the circle about 3 times, everyone seemed very satisfied. Some were pleasantly surprised hearing their godsiblings’ music for the first time.

Jason, a new devotee at New Vrindavan who has been a drummer for some time, said, “I’ve been very interested in getting involved somehow in music in New Vrindavan, so this gathering has been especially nice for me.”

Jesse explains, “This music event tonight really inspired me toward a project in which I’ve been interested for some time. Lila and I have wanted to host gatherings of musicians, songwriters, poets and writers, since N.V. is a community full of talent. Tonight turned out to be a great start!”

Jesse added, “I especially liked the way everyone took turns and paid attention to each other’s offerings.”

Look for an invitation to be sent out soon, inviting everyone, including listeners, to future gatherings of this type.

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Well… the invitation is, of course, in the first part of this post.

Setting My Sights

Setting My Sights

Yes, I’ve been conspicuously absent. I’ve been working night and day to establish our  BlueHome Artworks consignment shop within the New Vrindaban Community.  I started a blog there as part of the online store/website: The BlueHome Blog, where I talk about the value of thinking small, in terms of supporting small and local businesses, artisans making hand crafted products, agriculture, etc. Village economy, really.

So you can check that sight and blog out if you’re inclined to. Here, I intend to maintain my personal stuff, including my writing, my spiritual quest and ponderings, etc. I know; it’s a summer picture I’ve posted, but the current view from our home is a little bleak right now, since we don’t have snow yet—at least not any that’s stuck. But as you can see, it is snowing on the picture anyway.

So here’s my new poem. It does, in fact, contain some of those ponderings. I hope you enjoy it. As always, I invite you to comment if you feel like it.

Setting my Sights

Jesse S. Hanson

My Father is dead but my real Father lives
My real Father is dead but my even more real Father lives
Jesse is gone but then he never was
I never could find him
Just some vague familiarity with someone who always disappointed

Where is my family, my kin?
I wait for them on the shore where the boats come and go
But not them, no
Where are my dogs and my horses?

I don’t see them run and bark and whinny
Over the hills, willy-nilly
Where are my girls, where are my boys?

My songs are dead but my real song sings
My dreams are dead but my real dream waits
For me to wake up
From dead and dying dreams

I have to set out
I have to go on a fearsome adventure
I have to set out across the wilderness with only faith
Since I lack courage
Since I lack vision
Since I lack identity

I’ve always had to cry as the years have gone by
Where are my rolling prairies?
Well, those men have plowed them
Where are my towering hills and splendid valleys?
Those men cut them down, dug them out, they were sold out for baubles
And a plastic future
Where is my beach, my little house on the ocean?
All washed up, built up, soiled, overgrown, weeds and litter

My land is dead but my real land lives
My Father is buried but my real Father lives
My real Father is cremated but my more real Father lives
Jesse is gone but then he never was
I have to go to another land
I will grow weary of this childish tantrum
These sentimental tears

I will become forgetful of all things behind me
Become tired of mourning a life that did not care for me
A home that was not there for me
I’ll set my sights on the unknown distance
Across the ocean of this lost existence

My Father is dead but he’ll be forgotten
My real Father has gone on ahead
My even more real Father is here waiting.

Guru Ji walking on the Earth

Walking on the Earth

In my continuing, if sporadic, effort toward a volume of poetry and song lyrics, I was last night inspired by revisiting an email sent to the One who inspires me. 
Separated from our true home we wander over the earth in seeming perpetuity. At times, it seems a cruel fate indeed. Our only recourse is to cry out for rescue and liberation.
Here I’ve likened the separation from our Creator to an earthly separation as the time draws near for our Guru Ji to journey across the sea to America: http://jesseshanson.wordpress.com/sirio-carrapa-ji/information-about-sirios-august-2012-visit-to-usa/

As always, I appreciate your stopping by my blog and I invite you to comment, should you be so inclined.

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Here We Are Wandering
                    
jesse s. hanson

Here we are wandering upon an ancient land

with every step our feet come down

where countless feet have tread before

where ages and dreams of ages have come and gone

species creeping, walking, thundering, blundering

Here we are, together and alone

Where has the God gone

who planted us here

who sold us over to this place

for great devotion

far beyond our means

we cannot pay the price

we don’t even understand the price

Where has this God gone who is said to love us

to care what happens

We don’t want to be cynical

we don’t want to be sarcastic

or to know hopelessness

or depression

In Your country things are tended to

maintained

the gardens are watered

the weeds pulled

the roofs are repaired

the roads in Your country are not full of holes

the old things are preserved

as dignity requires

Here we fall down drunk

on misrepresented history

with misguided priority

we wear the masks of nationalism

harnessed with the yoke of insecurity

sated by the gluttony of insufficiency

driven by the fear of losing our grip

as we wield an iron fist gone to rubber

We don’t want to be drunks

addicts

braggarts

bullies

death wishers

incompetents

who fall down

we really don’t

we want to be lovers

but what are our chances

these habits have ruined us

even as we strut about

like sillies

but big enough to hurt others

to be trouble

We want to be lovers

we want to be sevadars

who contribute

students of truth

sisters and brothers

family

spiritual warriors

spiritual athletes

full of modesty

and compassion

and trust

even separated from You as we are

by that great unknown ocean

Oh Sirio Ji, we are lost in this poor and broken country

Please come and repair us.

Here I have listed a selection of websites with Information concerning the Masters of my spiritual Path. This ancient Path has been known by various names down through the course of history, including: Sant MatSurat Shabd YogaThe Path of the MastersThe Way of the SaintsScience of the SoulRadasoami SatsangRuhani Satsang, and many others, depending upon the lineage and culture of the Living Master of the time.

http://www.ruhanisatsangusa.org/ruhani.htm       –a USA based site in memory of Kirpal Singh of Delhi, India [1894-1974](first Sant Mat Master to visit the Western world. Master Kirpal first came to America in the 1950′s.)This is a great site for obtaining Master Kirpal’s books and other media.

http://www.santji.allegre.ca/4-index.html         –USA based memorial site for Ajaib Singh  [known by many of his followers as Sant Ji] of Rajasthan, India [1926-1997] (Gurumukh disciple of Kirpal Singh­) (Sant Ajaib is Jesse’s Master)

http://www.santji.allegre.ca/lifesj/lifesj.html       –this is a page from the previous site, but I listed it here because it contains both a beautiful brief biography of Sant Ji and a lineage of the Masters, going back to Kabir, Who was the first Sant Mat Master to appear in the age of Kali Yuga.

http://www.ajaibbani.org/        – this India based website was created and is maintained by the residents of Ajaib’s home and ashram in Rajasthan.

http://www.mediaseva.com/        –this website is a great source of the books and other media of the modern Masters. It is run by the devotees of Sadhu Ram Ji.

http://www.santbani.hu/      –a website concerning Sirio Carrapa of Ribolla, Italy [1952-    ](Italian disciple of Kirpal Singh and long-time representative of Ajaib Singh­) This is the English version of a site that originates in Hungary.

www.santbaniashram.it        –the original Italian website about Satguru Sirio Carrapa (a beautiful and informative website, but difficult to navigate for non-Italians)   

http://ajaib.com/       a website with a lot of information and material relating to Sants Kirpal and Ajaib as well as Sadhu Ram Ji. It is called” Sant Ajaib Singh Ji Memorial Site”. This site is created by the followers of Sadhu Ram Ji.

There is a great variety of sites with information regarding Sant Mat. It’s a natural fact that when a true Man of God, or Godman, leaves the earthly plane, there are often a number of successors who carry on the work of their Master. Sometimes there are controversies among the devotees over the authenticity of these successors.

With that in mind, but having no intention of in engaging in controversy, I have noted here only a certain few websites that concern the Guru lineage, as I understand it leading to my Master Ajaib. The authenticity of other branches: I honestly know little of them. I understand spirituality as a very personal experience, and that, in all reality, we do not choose or find our Master or Guru, but rather He finds us. He leads us to Him. He makes us come to the satsang. He makes us sit and meditate. He makes us do His seva (service). It is all in His Will and pleasure.

Most fortunate are the recipients of the Guru’s undying, unconditional, and all-encompassing Love.

It’s no longer Spring and this is a post I put together, last spring, after returning from my first visit to Sant Bani Ashram, Ribolla, Italy to meet  Sant Mat Master, Sirio Carrapa and attend one of His meditation retreats. But since the time is drawing ever nearer for Sirio’s August, 2012 visit to the US–Pittsburgh, Pa and Moundsville, West Virginia, specifically–it seems quite pertinent to repost it.

For those who have not yet heard of this charming and deeply inspirational disciple of Kirpal and Ajaib, my hope is that you will be happy to learn of Him now. And for those who may have missed this post, last year, and are hoping to learn more of Sirio Ji, I hope you will find something of  value here. 

Please feel free to comment, with your concerns or questions, should you be so inclined. Thank you for reading, jesse

Come join us in August for Sirio’s visit, which will include public programs in both Pittsburgh, PA and Wheeling, WV, along with a week long meditation retreat in Moundsville, WV.

For more info: contact Jesse S. Hanson:
email: dragonssong100ml@yahoo.com 
or cell-phone:  724-231-9603

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with Master Sirio Ji in Sienna-town square

 

 

Spring Has Come Again

~12 April days with Sirio Carrapa in Italy~

 

Let’s All Go in Springtime
                       Jesse S. Hanson

Exposed to the elements, one is always subject to change

            the summer is a fine time of warmth and play

            unencumbered by all the trappings of a colder day

            and the sweet grass grown tall is making hay

            but time goes by and the rains don’t fall

            love runs dry and our spirits fall

            we run too hot, then sputter and stall

Each season creates its own blend of beauty and illusion

            autumn is known to bring our energy back

            the harvest comes in and the wheel’s on track

            the cool night stars shine bright against the black

            yet at the counting, somehow we’ve come up short

            hard times a’ coming is the gloomy report

            so love braces—tentative, wary—with worries of that sort

In the storms of relativity the intellect becomes lost

            when the kind white face of winter lies

            under crisp and light and cold pure skies

            the cheery sparrow flits and flies

            but when the wind blows strong hearts crack like frozen bones

            then tough love strains with creaks and groans

            some warm blood is spilt upon the stones

In despair, at last, one becomes a seeker

            let’s all go in springtime to seek renewal

            our last innocence kept in secret as is a rare and precious jewel

            let’s go when we can bear no more of the world’s love so cruel

            perhaps the kind Master will tell us good things

            He will sing songs of His love, play divine music on our heartstrings

            reveal Himself, where eternal love springs

My relationship with Master Sirio Ji began late last summer. In my despair, my pain of separation, I had been seeking someone to fill the great void of my life.

Like so many others, I was devastated when Ajaib left the body. In my foolishness, in my childishness, I had taken only the most minimal advantage of His offer of a close personal relationship. “I will be happy to have you come and visit me at my home in India,” He had written to me, shortly after my initiation. I wrote back some nonsense about not knowing how I would ever afford it. So I never did afford it. The great regret of my life.

But then, Sant Ji had taken me on as a rescue mission. I was not at all a sincere seeker who had prepared himself for the gift of initiation when He found me. I was, rather, a wretched derelict at the end of his rope. I was like a fish floundering on the beach, gasping for breath, or perhaps like the dog that He found that had been shot and had dragged itself, or more likely been dragged by Him, into His presence. What to say about background, I hadn’t even led a good present life, to that point.

Nevertheless, I’d had a personal relationship with Him. With an infinite workload concerning the care of us all, with the predisposition of a rather solitary ascetic, with the constraints of primitive communication services (by today’s standards), and even with the self-centered and sometimes manipulative questions that I usually put to Him—with all of that—He never failed to answer my letters, and He never failed to answer my prayers.

Well, then He left us, physically… and where could I get that again? No one could tell me. Most people (satsangis) were really hesitant to talk about it. At first—for quite some time—there were no choices whatsoever, it seemed. It was a very bleak time. Was it not bleak? Then, in the course of time, some possibilities came forward and people made choices, perhaps tentatively at first, many made longingly, lovingly. I did the same. And some folks were not, and as of this time, have not yet been moved or pulled in any direction. Some never felt the need, content to follow the Path along their internal relationship with their Master. Among those who did choose to follow someone, in the course of time, some choices were disappointing, some were good, and some were deeply fulfilling—the Friend in His New Coat.

I have to say that I was bothered by a deep, deep longing for an up-close, personal relationship with the Master. Although I was following someone—someone that I’m convinced has something—I wasn’t happy. In my very small local satsang, we had all come to the same conclusion fairly early on and all were enlivened and satisfied, but, as time went on, I became more and more restless. I began to have trouble with this thing or that, regarding the teachings—I could never decide whether they were small things or big things, in the scheme of Sant Mat with my feeble intellect and my lack of inner progress—and these troubled feelings grew steadily worse until I was really quite tormented. But the torment, primarily, ultimately, came from that longing, that completely un-intellectual crying in my soul for a personal relationship with someone in possession of that great love that is the Master. It’s the only thing I’ve ever really been able to “take home” on this Path—the notion, no, the experience of being loved unconditionally by that Someone Who is so much more than me: by the true parent, the true protector, the true lover.

Really, I think that until we become God-realized ourselves, we can’t truly know who is the representative of God, who is the Guru, who is the successor of the Guru. We have to make our choices based on certain things we’ve been told by the previous Masters, of course. But frankly, I always find a way to become confused, even by the Master’s words on many subjects, including this subject of who is the Guru. So I think it comes down to the impressions made upon us by someone—what we know of their personal life, their way of presenting the teachings, their way of giving the Darshan, and then, at least in my case, the experience of love and protection. God forbid, it should be because we follow the choices of our friends or family. Or because we listen to hearsay or to the proclamations of damnation that many are fond of spreading, regarding this person or that person. Sirio Ji speaks of the importance of affinity between the Master and the disciple in His written collection of satsangs, letters, etc., entitled, One Word-One Melody-One Glance:

“When I went, the first time, to see Sant Ajaib Singh, I had not the least doubt that in Him I would have found my Master Kirpal in His new physical dress. Before meeting with Him I had met with some other of Master Kirpal’s disciples who had become Masters and were carrying on His work, but they were not fit for me, they were not appropriate for me, there was not the right love and affinity. Consequently, I did not recognize in them my Master. On the other hand, with Ajaib Singh Ji there was a sudden reconnection, an immediate great love. It is clear; He was the right one for me. I was very convinced I still needed a Master who would guide me farther on the spiritual Path and show me the way to become a ‘real man’.”

 and again, as He quotes Maulana Rumi:

 “As dawn came, the king was sitting up in the belvedere on his roof.

He saw someone coming, a person like the dawn. He ran to meet this guest.

 Like two swimmers who love the water their soul knit together

 Without being sewn, no seam.”        —Rumi

“Here the great Sufi Master wants to make us understand that up until we have the good luck to meet our Master, towards whom we feel a spontaneous attraction and an innate soul affinity, in no way anything really meaningful may happen in our spiritual life. There can’t happen that opening of the heart, that falling in love that is a sine qua non conditioning for a real spiritual awakening.”

He also speaks of having the right loving attitude toward others:

“Do not be afraid of changes, do not be afraid of making mistakes, we are all His children, and He will take care of us all. We should never be afraid to associate with any of those who have been initiated by our Master, and those who are going to carry on the Master’s work. We should never listen to those who want to divide the Master’s children by saying, about any of their brothers, that they are misled by Kal or whatever. We should always keep far from those who see Kal in everybody, and we should always associate with those who see God in everybody. Remember, Master Kirpal did His very best to bring together people from all countries, all communities, all religions; can’t we children of the same Father love and respect each other, whichever the direction we may choose to take? If not, is very disappointing; we have learned very little.”
So, I’d like to relate some of the details of my trip—a trip, which was, for me, so very much a second chance. Of course, I still deeply regret never going to Rajasthan to be with Sant Ji at His home, but I feel that I have now been given the most wonderful consolation, in having been with Sirio Ji at His home in Tuscany:

My flight had a nine-hour layover in Boston, so I had contacted my friend, Steve Rose; he picked me up and we spent the day together. Among other things, he showed me the beautiful Mount Auburn Cemetery in Cambridge where we climbed a marvelous old cut stone tower for a view of the city. At the top I read out loud, Sirio’s bhajan, Gloria al Satguru, in which He speaks of the difficulty in loving the past Masters or the Incarnations, or even God “who threw me into the cruel arena of creation”, how for Him, Kirpal and Ajaib are the incarnations that He loves. Sirio was initiated by Master Kirpal in 1973, so His time with Him was relatively short. He then spent twenty years under the guidance and protection of Ajaib Singh (Sant Ji) and He consistently refers to them both as His Masters.

Steve and I also visited the site of Thoreau’s house at Walden Pond. This is something I’d wanted to do for a long time, having passed right by many times during visits to see the Master in New England. The Pond (a small glacial lake, really) and the house site were altogether more attractive than I expected for some reason and of course, there was also sweet remembrance of Kirpal, who had spoken occasionally of Thoreau.

Lastly, we had a short meditation at Kirpal Satsang Ghar in Acton, which was a very nice sendoff for my flight to Italy.

The flight to the Rome airport (Aeroporto di Roma-Fiumicino) was also nine hours… and it was about forty-five minutes late. The plan was to go to Ostiense in Rome by city train where I would meet my friends, Andrea and Dafne. Andrea is working nights and didn’t get off until nine a.m., and since my arrival at Ostiense was scheduled at eight, I was concerned about the rendezvous with Dafne. But, as in all the rest of my trip, coming and going, Master took my care and a young man—unfortunately, I just can’t bring his name to mind—began speaking to me on the train. He scarcely knew any English and I was completely at a loss in Italiano, but it gradually became clear to him that I was not a tourist but someone on a spiritual path—not quite religious, not Catholic, not quite Buddhist. He didn’t know about Ribolla (the address of Sant Bani Ashram, Italy) or Sirio Ji, but he took it upon himself to help me, since he was also getting off at Ostiense. My new friend helped me find my way through the station, bought me a café and then called Andrea’s cell for me. Andrea was by now off work so he walked over from his apartment, “only about a hundred meters” from the station.

Another satsangi, Kriszti ji, from Budapest, had arrived earlier. We spent about three hours at the apartment; Andrea and I meditated in their tiny but lovely living room, where Master Sirio Ji had meditated with them and given satsang many times, while Dafne made a nice lunch. Then we were off on the train to Grosseto, a small city, which is the closest stop to Ribolla. The train ride was extremely pleasant with the small mountains to one side and the Mediteranean Sea on the other for the majority of the trip. I spent much of the ride practicing my complete lack of video skills with the very nice HTC Aria phone that my son, Jesse Allen had thoughtfully loaned to me for the trip.

In Grosseto, Dori ji, picked us up and we had just barely enough, but enough, room to squeeze ourselves and our luggage—I have a bad habit of traveling heavy—into the car. A fairly short ride to Ribolla, then a fairly rugged road up into the ashram. The ashram is set in the quiet pastoral beauty of Tuscany: lovely hills and valleys, peacefully agrarian, with tracts of olive trees and grapes broken by pastures inhabited by sheep or cattle. Then, through the ashram gate and we were there.

The first building happened to be the men’s dorm. Actually, I soon learned that the other end of the same building was the new satsang room. But at the men’s dorm we stopped, and since it was determined that the Master was not home just then, Andrea and I unloaded and moved in. In a couple of minutes we went out to where the ladies were in front of the satsang room and a car drove up. It was Sirio. He got out of the car, greeted everyone, I think He spoke something to Andrea and Dafne in Italian, and then came over to me smilingly, lovingly, and gave me a hug, while I found myself in tears and unable to communicate much of anything at all. He asked, in English, about my trip and I managed to get out that it had been perfectly “smooth”, as that was the word He had used to wish me well on my journey in an email before I left Pennsylvania. Then he went to the back of the station wagon and opened the hatch, began taking out bags of fresh fruit and vegetables and cheese, etc., asking Andrea that we take the rest of the food down to the langar and then park the car.

It was the day before the retreat was to officially begin, but after about an hour, we had our first meditation sitting. Sirio Ji sang Bhajans with us and put us into meditation (He meditated with us) and then sang more Bhajans with us. That turned out to be the routine for twelve days (the spring retreat is officially eleven days). The daily schedule was as follows:

Darshan, Bhajans, directed meditation, bhajans, darshan at 4 a.m.

Darshan, Bhajans, directed meditation, bhajans, darshan at 7 a.m.

Breakfast (self serve) at about 9 a.m.

Darshan, Bhajans, directed meditation, bhajans, darshan at 11 a.m.

Lunch prepared by two different people each day at about 1 a.m.

Darshan, Bhajans, directed meditation, satsang,  darshan at 4:30 p.m.

Bhajans and other events at 8:30 p.m.

Sirio Ji loves the Bhajans. He knows about 300 of the Punjabi bhajans from “Songs of the Masters”  some of them by heart and has written scores of Bhajans in Italian. The devotees are quite familiar with both and we would go from singing in Pujabi to Italian without a hitch.

After the morning meditation, one day, He tells us He has to go into a city to do something for his work (Sirio Ji makes His living giving Ayurvedic massage and treatments plus teaching them as well); we can go along if we wish. We can have satsang there also.

A group of us decides to go and within about half an hour, we are on our way to Siena with three cars. I am most fortunate to ride in the car with the Master. Annabella ji is the driver and I sit in the back driver’s side, where I am able to communicate with Him, to an extent, where He is in the front passenger seat. On the way, He sings some Bhajans, including a part of Kabir’s  beautiful Guru Dev. It turns out that, after a conversation I’d had with Anna ji, regarding this bhajan, she’d asked Him about it and he knew some of it. I asked Him if He knew why it had never been included in the book, and He replied that He was also curious about it. I believe it was shortly after that, that He comments about some flowers that He sees just off the road. I wasn’t sure but I think that He decided to pick some later.

Later, He asks me if I have any knowledge of Siena. I don’t. He tells me that it is an old city with a history of Christian Saints, the most well known of which is St. Catherine. I ask if they were real Saints, having the idea that the Catholic Saints, were largely by name only, but also having the knowledge that Sirio Ji considers St. Francis of Assisi to have been a perfect Saint. He says that they were true Saints and gives certain details to explain, of which I would probably misquote, should I try to repeat His words from memory.

When we arrive in Siena, we climb an extremely picturesque street, on the edge of a small mountain, to a great height and park the cars. We walk briskly through the narrow winding streets, which more closely resemble my notion of alleys, with tall buildings, mostly apartments, on either side. We come to a wooden door in the wall and Sirio Ji unlocks it. We go in, shuffling around in the two medium sized rooms, while Anna Ji transforms one of them, with beautiful pieces of cloth that she manifests from, I don’t know where, into a satsang room. We proceed to sing bhajans and have a short satsang, in which the Master thanks us very emotionally for coming and effectively blessing His workplace, where He spends so much time, with satsang. He tells us that we are His best friends and how important it is to Him that we have come there.

After the satsang, He shows us some steps going down and that there is an underground cave-like place below His workplace. I try to snap a picture as He is coming out of the cave’s opening, but I’m too slow with the camera and when I take the picture, it’s mostly a blur.

Then we go back out onto the streets and we follow Him as He walks through the streets. He is so full of energy and He walks so fast that it is difficult for one of the Hungarian ladies to keep up. A Hungarian fellow called Feffa and a young lady, Vicky, were staying back with her, so I did that also and we tried our best to follow the group with the Master. At one point, we actually miss the turn that the Master and the others have taken, but we soon realize our mistake, go back and turn into a large open court or square, where the Master explains about the annual “Il Palio Festival” and horse race that is held there. The square is bordered by some very impressive cathedral type buildings, among the other very old and interesting structures. I jokingly say to Him that Sant Ji said we should not go sightseeing, but that I imagine it’s alright if the Master takes us sightseeing.

A little later, on another street, we stop in front of a frozen yogurt shop, where Francesco treats us all and Master makes it parshad. On the way back to the cars, I am nearly run over a few times (once by a bus) as I am taking pictures. The truth is, I really have lived my life in a rather careless way in some ways and I think, that without Master’s protection, I would been the victim of my own lack of attention to the dangers of the world long ago. So, having lived through it, and having been so fortunate as be on this magnificent, intoxicating excursion, we go back to Sant Bani, It, where we will continue with the scheduled program. On the way back, we stop to pick some of the flowers, from the side of the road, that I had mentioned previously. I believe it is the same night, after satsang, that He has a gift of special prashad for us in the form of a kind of pakora that He has made for us, Himself, from the flowers.

Oh, one more thing, regarding the trip. At home, I had learned guitar chords to Gloria al Satguru, and I was hoping that Sirio Ji would let me play them for Him to sing. So I asked Him about His guitar. He said, that He was thinking that one evening, I could play a small concert for the group. So two nights later, I did play four songs at the evening bhajan session. Master listened with full attention and eyes closed and was very appreciative. The next day, I asked when I could return His guitar and He told me to just keep it and play on it when I felt like it. A couple of nights later, He did sing Gloria al Satguru at the evening session and then, again, asked me to play a bit more. Along with that, I also had some fun times playing out on the grounds and jamming a bit with my new friend, Ernő from Budapest.

I don’t know what the meaning of it all is, that I struggled with repressing my music and writing for so many years, and now I was actually being encouraged in that area of my life. All I can really imagine is that, that’s what I needed then, and this is what’s happened now. So I’m grateful to Sant Ji and I’m grateful to Sirio Ji. And although they’re so very different, quite often, I have the most powerful feeling of being in Sant Ji’s presence, when I’m in Sirio’s presence.

So we continued with the program. We had a day of personal interviews in Sant Ji’s house, which is kept locked except for the interviews, initiations, and for Sirio to meditate in. We had a question and answer session that took four or five days (I don’t remember if there were four or five questions). He spent a whole satsang on each question. Some men came and pruned the olive trees and we gathered the pruned branches for burning.

And on the day I had to leave, the Master, with Dori ji driving and her sweet baby boy, Jancsi, along for the ride took me personally to the train station in Grosseto. On the way we stopped at a wonderful, peaceful, clear water lake where He goes swimming. It’s a near perfectly serene place and as we came out onto the dock, He told me that they’ve had a number of satsangs at that very spot. I wanted to take a video of Him there so He kindly turned His back to the lake so that I could have it in the video as well. It was yet another very intimate and sweet loving occasion that I’ll never forget.

At the train station, He ran to help me with the train ticket, when the lady spoke no English and there was some confusion with the train schedule. Then we had some time, so we went into the little station diner. He talked about some of His visits to see various, current Sant Mat Masters. I bought a bag of crackers after He read the Italiano ingredients (just to be sure about lard, etc.) at my request, and then He made it into parshad for my trip, at my request.

As a last gesture of concern, out at the tracks, when the train arrived, He told me to get on board and then He lifted my bag up to me. He and Dori and Jancsi ji stood on the platform waving as the train pulled away.

The people were so loving, such sweet sevadars. A very small group by some standards, but the love and respect, the adoration for the Guru: no less than that of satsangis anywhere in the world. I’m thinking, how wonderful for a Master to manifest in Italy, a land famous for the love of Christian Saints, as well as for the worldly love (many have tried to pervert that fame into the fame of sexuality, but a much more pure love—Romeo and Juliet, for instance—is very profound there). A land famous for the expression of emotion in song, and Sirio is a veritable incarnation of emotion in song.

I’ve also thought a lot about the human qualities of the Master—of any Master. I’ve always been so enamored by the concept, by the fulfillment of the concept of a Godman. Just consider the famous John Donne couplet, quoted by Master Kirpal: “God cloth’d himself in vile man’s flesh, that so, He might be weak enough to suffer woe” The Master is God and man at the same time. I think we get so caught up in the God part of the Master that we forget about the human reality. I mention it because I witnessed some emotion in Him that, at first, I thought was too human. He’s very hurt by the fact that certain of His long time friends have rejected Him and that they now consider Him doomed by Kal. It’s a deep pain for Him: I think both their opinions as well as the lack of association with them.

Some of it cleared up for me the last night of the retreat, when quite a few of the satgangis had already left. I could be wrong, I know, but it seemed as if He was deeply saddened by their departure; like we really are His friends, His best friends; that it’s a two way street.

Well, the reality is that the few who are receiving what He has to give are uniquely fortunate in all the world. At some risk to that reality of smallness is another reality: that I believe there are those souls out in the world who are desperately in need of, are perhaps crying out for this kind of love, this kind of connection with the God into expression power. I hope that if they are out there they can somehow lay down their pre-conceived notions about what is or isn’t possible. It’s possible that a Master doesn’t have to come from India—that a Master doesn’t have to have a huge following to be genuine—that a satsangi could possibly be a representative of the Master and then become the Master—that a Master can present the teachings in a unique way (I don’t know if there ever was one Who didn’t). These are just to mention a few. What have we really got to lose? Einstein said that the question is, “Is the Universe friendly or not?” If we don’t ultimately believe, or at least hope, that the Universe—God—is friendly, then we’ve given up before we’ve started. Yes, Sant Ji wrote a lot about the false Masters. But how many of us are there who can tell the difference from an intellectual point of view. Well, there are some things that would look pretty bad, alright. And likely we’d eliminate someone if we knew about some secret failing of theirs. Yet even Swami Ji smoked a hooka. Masters sometimes do things to keep the flies away. And also there are some things that look pretty good, like high inner experiences for instance, and yet people have become disillusioned with Masters even after such experiences. So the definitions get kind of blurred. It’s certainly a personal decision in my mind. But if we don’t seek, we shan’t find. If we don’t knock, no door will open up to us.

Maybe you could take a look. I’m just saying’…

 

For You I’m Lost
                  Jesse S. Hanson

The affection you convey to me in your kindness

buoys me up from my drowning condition

and holds me above the waves, as it were.

I cast my gaze out upon the waters, hoping for a glimpse of you

to see you walking over the crest—as if it were even significant as a miracle.

The miracle is in your very existence

it is in you seeking your scattered, orphaned, homeless waifs

who wander directionless upon deserted isles

bewildered and bewitched by each new ghostly mirage

until you come, your glance of complete solace and all comprehension.

Oh creator of this longing so deep in my breast

see how I thrash about, losing my strength in my ignorance

I haven’t learned swimming and now I’m old

and there is no time.

Oh take me aboard—my waterlogged soul, my terrified mind

Some boats have come by

but either they didn’t notice me, or I ignored them, hid from them

knowing that rescue by them would only leave me stranded

on some other strange and evil foreign shore

wordless and without hope

I dream of winds that fill your sails, of your strong heart that never fails

I live only for you to rescue me

where upon these rocks I’m dashed and broken

where for all these years this thing I’ve spoken

For you alone I’m lost at sea.

 

 

I’ve been relatively absent from blogging for some time, due to my work in preparation for the opening of our new BlueHome Artworks consignment shop in New Vrindaban. I wanted to post, just briefly here, about our very encouraging and well received opening in conjunction with the annual Festival of Inspiration.

Thanks so much to all who visited the shop and showed support, including Maharaja Radhanath Ji, who suggested that, with the shop providing an outlet for people’s artistic creations, we would start a renaissance. Temple president, Jaya Krsna, had also stated, upon hearing of our proposal for the shop, “I like very much the idea of the store. It will encourage more devotees to work on their propensities.”

We had quite an enjoyable, successful, and encouraging opening weekend at our new BlueHome Artworks consignment shop. It was the annual Festival of Inspiration and the shop was well received, supported, and patronized by those attending. The weather was mostly fine–sunny and cool–until Sunday, which was rainy, but spirits seemed undampened. (:<)>

Especially, thanks to all the fine artists and artisans who have contributed and intend to contribute to the shop by consigning their work with us. The quality of work is outstanding, even exceeding expectations. We really cannot sufficiently express our appreciation. –Lilasuka and Jesse

As always, thanks for stopping by my blog, and please feel free to comment, if so inspired.

Keep in touch, Namaste, jesse

 
This is a very nice interview of my friend, Andrea by James Bean on a healthylife.net radio podcast. James is doing some interesting and, I think, productive work spreading the good word about spiritual things, in general, and the ancient and yet, ever current, Holy Path of Sant Mat, or The Path of the Masters, specifically. You can find James at: http://www.facebook.com/#!/SantMat
 
 
 
 
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March 7

 
 
Spiritual Awakening Radio Podcast: My Guest is Andrea Zucchi, from Rome, discussing the teachings of the Italian mystic and spiritual teacher Shri Sirio Carrapa, of the Sant Bani Ashram – Ribolla. For Streaming Audio, go to:
http://view.liveindexer.com/ViewIndexSessionSLAO.aspx?indexSessionSKU=SjryOK1iryeLf%2BXmuDmHYw%3D%3D  

James Bean's Spiritual Awakening Radio Podcast: My Guest is Andrea Zucchi, from Rome,...

The following is my review of  a new book, Being and Homelessness: Notes from an Underground Artist, by Chicago artist, John H. Sibley.  It is a work that covers a lot of ground, touches on many social issues—issues that concern both artists and the homeless. These two concerns have formed a type of personal collage in John’s world.

Although my roots (in this particular physical manifestation) are small town Upper Midwest America and John’s are inner city, Chicago, interestingly enough, I can relate. I have little in common with John’s upbringing, but my artistic longings and aspirations drew me to the city also—in my case it was Seattle, where I spent a period of my life as a street musician, immersed in the “culture” of the Pike Place Market and other local haunts, in the company of other musicians, artists, poets, crafts persons, vendors, entrepreneurs of  questionable pursuits, alcoholics, drug addicts, homeless persons, and derelicts of great variety. I can relate, and I can confirm: the subjects of artists and homelessness are easily intertwined. John has, in fact, done this successfully and has become a type of spokesman for the underground artist, in doing so.

As always, I hope you’ll enjoy my review and that you’ll leave a comment if so inclined. Thanks for coming by,  Jesse S. Hanson

 

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A Multi-faceted Look at the Life of an Underground Artist

John H. Sibley’s new literary work, Being and Homelessness: Notes from an Underground Artist, is an important and welcome contribution, arriving as it does, at a time when the scene of the art world is mostly cordoned off to all but the privileged elect. From my nosebleed seat in the bloody colosseum of the arts—being an underground artist myself—I often found myself cheering along as John attacked the giants, demons and all fierce bastions of that world with eloquence and candor.

 “I was relegated to selling my art on the street level not because I lacked talent but because I was shunned, ostracized and treated like a pariah by both Chicago’s white and black art establishments.”

Taken out of context, as I have done here, I realize it sounds like sour grapes, like the complaint of an artist who has likely not put in the required effort, not stayed the course, or does, in fact, lack the talent to succeed. Not so: Not only has John been practicing and honing his unique artistic crafts since he was a young boy, but he is a graduate of the School of the Art Institute of Chicago with a Bachelor of Fine Arts degree. His knowledge of the academics and history of art is formidable and that is only enhanced by the practical knowledge of a man of the streets.

However, there is much more to Being and Homelessness than a diatribe against the art establishment. I particularly enjoyed Chapter 8, The Lost Culture of Maxwell Street. This chapter deals with the multicultural open-air market atmosphere, highlighted by the legendary Chicago Blues culture that manifested for a period of some forty plus years. I had previously read this chapter, when it was posted on goodreads.com, and found it fascinating. The following is taken from the comment that I wrote, regarding the post, at that time: “This is very gritty and intense. It seems to be written just like someone is talking; telling about, reveling in their experience of life—stream of consciousness. There’s just so much in there, almost more than the senses can deal with. Life experienced as a perpetual street fairexhausting and thrilling at once.”

Another aspect of John’s book that I appreciated was his exploration of Black history in America. Here again, Sibley pulls no punches in presenting his facts and opinions:

–example of facts:

“The first slaves arrived in Jamestown, Virginia in 1619 to establish 244 years of slavery.

Contemporary African Americans have only been free 139 years, using 1863 as a benchmark, which means that blacks were slaves 105 years longer than we have been free.”

 –example of opinion:

“The salient fact is that black Americans are still reeling from the dehumanizing effects of the former slave trading nations of England, France, Germany, Spain, Portugal and the US.”

I certainly am not a fan of John H. Sibley’s every opinion. I don’t personally agree with his outspoken political criticism of Barack Obama, and especially with his endorsement of Herman Cain —I at first thought it was a huge literary blunder for him to include such opinions in his book. But after ruminating on it for a while, I think I can see a reason for the inclusion. His main point seems to be that Obama, although a black man, is not an “African American”. “Obama’s world is not the one of American slaves like my ancestors.” Sibley is exploring the experience of the American descendants of the slaves. Fact is—and I can’t deny it—Obama is not one of them—Cain is. It’s a pure issue of identification.

For those of you who may have read Sibley’s novel, Bodyslick, this work is, in my opinion, much more palatable. It is, in fact, as has been mentioned in another review, a fast and easy read. For the most part it takes me back to my earlier reading of Chapter 8, The Lost Culture of Maxwell Street. The editing is questionable—I hope you won’t let that bother you. If you have an interest, even a curiosity about the life of art, outside of the mainstream, spoon-fed versions, this book will be of interest to you. If you have an interest in the causes and experience of the homeless, this book will interest you also, though it is not its main theme, despite the title. Recommended: by a fellow underground artist.

Jesse S. Hanson’s spiritual fiction novel

Jesse S. Hanson's spiritual fiction novel

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